Somewhere in Lower Austria; the school term is drawing to a close and the summer holidays are not far off. Boarding school pupil Paula, seventeen, is secretly in love with her girlfriend Charlotte. But Charlotte’s going out with Michael. Lovelorn, Paula decides to try and take her mind of things by getting involved with schoolmate Tim, whose feelings for her are at least genuine. Paula has no idea how often Charlotte thinks of her. And then there’s Lilli, who is just dying for someone to fancy her and tries to play the wild seductress. Paula must decide if she wants to follow her own feelings or yield to other people’s.

A music-mad 16-year-old outcast at rugby-mad boarding school forms an unlikely friendship with his dashing new roommate, in this funny and observant coming-of-age tale from Irish novelist and filmmaker John Butler. This tender look at the travails of teenage life is the story of the worst thing Ned (Fionn O'Shea) ever did. It's also the story of the best thing that ever happened to Ned. With his dyed hair, willowy build, and penchant for sexually ambivalent pop and rock from generations past, 16-year-old Ned has never fit in at the rugby-mad boarding school his father insists he attend. Determined to simply keep his nose down and weather another year of loneliness and bullying, Ned is pleasantly surprised when he develops a friendship with his dashing new roommate, Conor (Nicholas Galitzine), a rugby virtuoso with issues of his own. The boys bond over music and start to practice guitar together. At the encouragement of their English teacher (Andrew Scott), Ned and Conor enter a talent show at a local girls' school. As both talent show and rugby season loom, however, the pressure on Conor to choose between manly athletic discipline and more artistic pursuits threatens to tear him apart — while Ned is increasingly tempted to betray Conor's trust in order to save his own skin. This funny, observant coming-of-age film from Irish novelist and filmmaker John Butler — whose feature debut, The Stag, screened at the Festival in 2013 — reminds us that bravery and loyalty are not innate traits. They're qualities we earn under pressure. Ned and Conor both make mistakes, but in the end, what truly matters is that each learns to speak in his own voice. Desc. courtesy of the Toronto International Film Festival.

In his most audacious film since his groundbreaking debut O FANTASMO, João Pedro Rodrigues reimagines the myth of Saint Anthony of Padua as a modern-day parable of sexual and spiritual transcendence. On a bird-watching expedition in the remote wilderness of northern Portugal, Fernando (Paul Hamy) capsizes his canoe and loses his bearings. His ensuing odyssey, both intensely physical and wildly metaphysical, involves sadistic Chinese pilgrims, a deaf-mute shepherd named Jesus, pagan tribes, Amazons on horseback, and a glorious variety of feathered friends. Shot entirely outdoors and in magnificent ‘Scope by Rui Pocas, THE ORNITHOLOGIST is a bracing exercise in queer hagiography, a cheerfully blasphemous tale of a religious awakening. Desc. courtesy of The New York Film Festival.