A queer, coming-of-age drama set about an anxious teen girl who is manipulated into a romantic encounter with her best friend during the funeral service of their former Hebrew school classmate. Tahara's authenticity is built on a foundation of diversity and inclusivity both in front of and behind the camera that is representative of the world most of us live in.

After 17 years, Nicole Costa gets in touch with Iván Ojeda, her old Chilean friend from college. Back then he was a talented theater director and playwright, but it turns out he has reinvented himself. Iván now goes by Monalisa and works as a prostitute on the streets of New York. Intrigued by this transformation, Costa decides to follow Iván Monalisa, a “gender-neutral two-spirit,” in their tough and vulnerable life filled with fleeting sexual encounters and addiction to hard drugs. Nonetheless, Monalisa does continue to write beautiful, raw pieces about life and survival in New York. Recent scenes of Monalisa’s attempts to get a visa and her first successes as a writer are interspersed with old VHS footage, snippets of telephone conversations and extracts from her work. All this is framed by scenes of Monalisa proudly parading through the streets of New York—a living artwork searching in the shadows for the light of self-expression.

Sparks fly when Violet (Jennifer Tilly) sets eyes on Corky (Gina Gershon) in an elevator. Violet is the girlfriend of a violent gangster, Caesar (Joe Pantoliano), while Corky is fresh out of prison and doing renovations on the apartment next door. As the two women launch into a passionate love affair, they assemble an intricate plan for Violet to escape from Caesar, with two million dollars of the mob's money -- but the important part is to make it out alive.