Expanding his 2010 short to feature length, director Daniel Ribeiro has fashioned a magnificent film about teenage love and friendship. Leo and Giovana are best pals, who spend time sunning themselves by the pool and wondering about their futures. As a blind kid who craves his independence, Leo is feeling stifled by his well-meaning parents and hopes to study abroad. Giovana just wants a date—preferably with the recently arrived Gabriel, with his good taste in music and aloof charm. A school project pairs the two boys, and Gabriel is effortlessly welcomed into Leo’s friendship with Giovana. The dynamics change, however, when sexuality enters the picture. As Gabriel and Leo spend an increasing amount of time together, Giovana feels like she’s losing both her best friend and her potential new boyfriend. In the meantime, Leo realizes a growing romantic attachment for the mysterious Gabriel, and a big school party brings all of these tensions to a boil. Throughout the film, Ribeiro is beautifully attuned to the temperaments of his characters and charts their mood swings perfectly. He is similarly expert in portraying the ebb and flow of youthful friendships, and the way romantic attraction can sneak in and overwhelm the unprepared. The Way He Looks is warm, funny, and remarkably well acted—and one of the best film about boys in love since Beautiful Thing.

In 1950s New York, a department-store clerk who dreams of a better life falls for an older, married woman.