A music-mad 16-year-old outcast at rugby-mad boarding school forms an unlikely friendship with his dashing new roommate, in this funny and observant coming-of-age tale from Irish novelist and filmmaker John Butler. This tender look at the travails of teenage life is the story of the worst thing Ned (Fionn O'Shea) ever did. It's also the story of the best thing that ever happened to Ned. With his dyed hair, willowy build, and penchant for sexually ambivalent pop and rock from generations past, 16-year-old Ned has never fit in at the rugby-mad boarding school his father insists he attend. Determined to simply keep his nose down and weather another year of loneliness and bullying, Ned is pleasantly surprised when he develops a friendship with his dashing new roommate, Conor (Nicholas Galitzine), a rugby virtuoso with issues of his own. The boys bond over music and start to practice guitar together. At the encouragement of their English teacher (Andrew Scott), Ned and Conor enter a talent show at a local girls' school. As both talent show and rugby season loom, however, the pressure on Conor to choose between manly athletic discipline and more artistic pursuits threatens to tear him apart — while Ned is increasingly tempted to betray Conor's trust in order to save his own skin. This funny, observant coming-of-age film from Irish novelist and filmmaker John Butler — whose feature debut, The Stag, screened at the Festival in 2013 — reminds us that bravery and loyalty are not innate traits. They're qualities we earn under pressure. Ned and Conor both make mistakes, but in the end, what truly matters is that each learns to speak in his own voice. Desc. courtesy of the Toronto International Film Festival.

Wicked Queer received an abundance of fantastic films made on the Iberian penisula. This inspired us to create a program dedicated to show the beauty that exists there. The shorts in this program will feature films with the themes of LGBTQ surrogacy, bisexuality, death, love, and plenty more.

Bacon sizzling in fat, a young woman thanking the subscribers of her YouTube channel, a corpse neatly wrapped up in black garbage bags and floating down a river – as clear as the first few images of Travis Mathews’ mystery thriller may be, the connections only become clearer gradually, as if they were emerging from the subconscious. This elliptically edited story, which revolves around a man who can no longer be described as young, is accompanied by an eerie soundscape. Filmmaker Alex lives in a van. He sets up his camera in rural areas in the US, in the no-man’s land near highways. During a visit to his mother, a former alcoholic, she shares with him a well-kept secret. There is also a small boy, with whom Alex develops an unexpectedly close relationship. Director Mathews chronicles a modern day gay existence in the West – from anonymous sex to heterosexual porn in a sex bar cabin, or as a service in a motel room. A small house and a life on the margins of society. Meanwhile, on the radio, we are treated to a steady stream of right-wing slogans against everything that is not white and heterosexual, here in Texas. Desc. courtesy of the Berlin International Film Festival.