Thirty-something Immigration attorney Zaynab (played with wry humor by out Pakistani Muslim actor Fawzia Mirza) is balancing her work, love life, and taking care of her conservative TV-obsessed mother. A drunken night with the bold and assertive Alma (EMPIRE's charismatic Sari Sanchez) leads Zayneb to question just how to come to terms with her mom, her love life, and her new-found obsession with Lucha-style wresting. Jennifer Reeder’s feature is a funny and honest take on the complications of contemporary dating and the joys of wrestling.

THE UNTOLD TALES OF ARMISTEAD MAUPIN examines the life and work of one of the world’s most beloved storytellers, following his evolution from a conservative son of the Old South into a gay rights pioneer whose novels have inspired millions to claim their own truth. Jennifer Kroot’s documentary about the creator of Tales Of The City moves nimbly between playful and poignant and laugh-out-loud funny. With help from his friends (including Neil Gaiman, Laura Linney, Olympia Dukakis, Sir Ian McKellen and Amy Tan), Maupin offers a disarmingly frank look at the journey that took him from the jungles of Vietnam to the bathhouses of 70’s San Francisco to the front line of the American culture war.

"My mother and I have lived like strangers under one roof for decades. The only exchanges between us are the meals she cooks for me since we never talk to each other. One day, I finally summon up the courage to sit her down and make her talk. But am I ready to hear what she has to say?" Anu is a tomboy. Although she was married off at a young age – as was customary in Taiwan in the 1970s – and had two children, she quickly divorced her violent husband and brought up her daughters alone. Since then her only relationships have been with women who, like her, earn a living as professional mourners at funerals. One of her daughters is filmmaker Hui-chen Huang. It’s considered taboo in Chinese culture to question a mother’s unconditional love, and yet this is exactly the topic of Huang’s intimate portrait. Mother and daughter set off on a journey together into the past during which Anu is confronted with questions that have tormented her daughter for years. In a series of long shots the two women discuss such topics as trust, abuse and cognisance, and yet most of these discussions end in painful silence. Shifting focus in order to plumb the depths of the depicted room, the director attempts to understand her mother by also talking to her mother’s siblings and ex-lovers. In doing so she paints a picture of changing living conditions for three generations of women in Taiwan.