Touching and poignant, the acclaimed coming-of-age comedy The Incredibly True Adventures of Two Girls In Love tells the story of two teenagers whose unexpected friendship grows into the joyful wildness of first love. Randy (Laurel Holloman), a rebellious working class tomboy, meets the beautiful, popular, well-to-do Evie (Nicole Ari Parker) when she brings her Range Rover into the repair shop where Randy works after school. Immediately intrigued by each other, the two girls start a romance that delights and disrupts their lives, causing Evie to lose her friends, Randy to lie to her parents, and sending the two of them on the run. Sensitive and romantic, funny and sincere, this daring film was hailed as a crossover success upon its release and is now celebrated as an iconic part of the 1990s queer cinema canon. Beloved by audiences, it was often referred to, with relief, as one of the few lesbian movies with a “happy ending where no one dies.” World Premiere of the Newly Remastered HD Film, with Preservation Funding Provided by the Sundance Institute and Strand Releasing. A Strand Releasing release.

In a faraway future, on a wild and untamed planet, a lonely teenager, Roxy, releases an assassin from the sands she was buried in. As soon as she’s free, the criminal sparks death all around. Roxy and her mother Zora are held accountable, banished from their community and forced to track the murderer down. They start a long journey pacing the supranatural territories of their filthy paradise.

A retro-futurist story of utopian politics, ideological conflicts, supernatural leaders and totalitarian spectacle. Cyberpunk queer pirates against rainbow homo-capitalist normies. Revolution vs reformism; logic vs affect. The trappings of post-internet identity politics through a contemporary take of the myth of Orpheus. The first gay prime minister of Greece struggles to carry the legacy of LGBT history at a time of post-truth alt-right dystopia. The mysterious algorithm of the collective unconscious and heavy-handed tradition of “the land of heroes” proves unshakable. Will liberal Europe and its so-called ‘freedom of speech’ provide an alternative or is it just another platform for neo-reactionary culture wars?